Sunday, May 23, 2010

Saw VI (2009)

Premise: The sixth installment of the horror series adds new victims and backstories to the franchise.

Stars: Costas Mandylor * Tobin Bell

Story: Jigsaw and his apprentices are back! This film follows one main victim (Easton) and shows how his story affected that of Jigsaw himself. It also tracks the progress of one of Jigsaw's apprentices (Hoffman) in his efforts to continue Jigsaw's work as well as prevent the discovery of his identity.

Review: John Kramer AKA Jigsaw has been around for six films, even though he died in the third movie. Each installment in the series continues to flesh out John's life prior to becoming Jigsaw as well as introduce new ancillary characters (Easton), bring former characters new life (a presumed dead detective), and expand the motivations and roles of others (Jill Tuck, Amanda).

I honestly don't think I've seen a series where characters that are already dead have as much influence and appearances in the show with the actual living characters unless they are ghosts. And there's nothing supernatural about this film or the series.

Once again, the movie starts out with a twisted test of the desire to live. Again, a central character (this time William Easton, similar to Jeff Denlon in Saw III) must proceed through a series of tests that will determine who lives and who dies. Only this time, instead of tying characters to his desire for revenge, the characters are completely innocent (a couple of people this HMO VP would normally write off as DOA) or are complicit in his schemes to bilk the living of their money while denying care to the dying.

While a lot of sympathy is garnered for a few, the aim of the film is to clearly make the watcher believe that people are complicated, there are no clearly good or evil people. So do you root for the victims? Those willing to force such moral dilemmas upon the protagonist? And then the film throws enough twists and "Gotcha" moments in that there are very few people to identify with, so sympathy is a hard commodity to bargain with.

While points are worth mentioning, and the backstory of John Kramer himself is interesting, the film simply takes a path already followed by earlier films, adds no hero (or villain) to really root for, and loses its audience by the third act.

Overall: Mediocre

Other Sites: Wikipedia * IMDb * AllMovie * Rotten Tomatoes

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